There
were two items waiting for me at the post box yesterday. While the first one
made me very happy, the second one was a complete surprise.
This
lady was sent five years ago to participate in an exhibition at a Berlin indie
design store, with a theme of dolls. It was the first time one of my dolls was
invited to take part in a show. After a short correspondence with the owner, I
decided she was trustworthy, and shipped the doll to Germany. When the doll
arrived, I received confirmation, but afterwards I heard almost nothing. I
couldn’t even find any information about the exhibition online. I contacted the
owner, and she promised to ship the doll back, but I received nothing, so I
contacted her again and again. It was the same every time: she promised, I
waited, and nothing arrived. After a while, she stopped replying altogether,
and her phone line was disconnected.
Thanks
to German-speaking friends, I found her home number, but it was useless as
well. My friends tried to talk with her in German, to no avail.
There
was nothing I could do, and at the time I was so disappointed that I even
considered contacting the German police, but it seemed too complicated, so I
gave up.
Time
passed, and I almost forgot about this incident. Yesterday, I went to the post office.
I knew there should be something from Germany waiting for me there, but I
couldn't figure out why I received two items from Germany. It took me a
few seconds to remember whom I might know in Berlin.
The package was the
original packaging I used five years ago, and along with the doll there were
two smaller envelopes, with works of other artists, dating back to 2007 as
well. Now I have some mail to send too.
* By the way, the other item I mentioned is a catalog of Norwegian artist Hannah Ryggen, who used weaving and tapestry as painting in a very interesting way, to reflect her social and political engagement. Although she worked since the 1930's until the late 1960's her work remained unknown to a broader audience. It was exhibited at the most recent Kassel dOCUMENTA this summer. A dear friend of mine introduced me to her work and sent this catalog as well.
* By the way, the other item I mentioned is a catalog of Norwegian artist Hannah Ryggen, who used weaving and tapestry as painting in a very interesting way, to reflect her social and political engagement. Although she worked since the 1930's until the late 1960's her work remained unknown to a broader audience. It was exhibited at the most recent Kassel dOCUMENTA this summer. A dear friend of mine introduced me to her work and sent this catalog as well.
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